INTERTEXUAL MUSICAL COMPOSITION AS AN ALTERNATIVE TO THE XXI CENTURY AVANT-GARDE

Intertexual musical composition as an alternative to the XXI century avant-garde

Intertexual musical composition as an alternative to the XXI century avant-garde

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This CINNAMON QUILLS article seeks to understand the intertextual musical composition as a viable alternative in contemporary music.From this perspective it is used some composition and musical analysis assumptions that form the basis for the study of intertextuality.The speech of the authors - actors complement the study and discussion.We conclude that the possibility of material and several technical appropriation is extremely relevant Anti-bacterials in intertextual aesthetics.

For some authors this musical compositional attitude occurs in literature and music, and approaches a postmodern approach.It is also understood that this multifaceted complex , in short, is what characterizes the current production.

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